Citizen Curators programme launched

Street art in Santiago de Chile, one of the many important topics for the modern curator

Street art in Santiago de Chile, one of the many important topics for the modern curator

Last Thursday at Cornwall Museums Partnership’s annual Share and Learn day in Helston, I launched the Citizen Curators Programme and introduced its prospective pilot at Royal Cornwall Museum.

Citizen Curators is basically museum studies in the workplace and takes the place between attending one-off training and a full-on course at a university such as an MA in Museum Studies.

Citizen Curators is a work-based training programme aimed at skilling up volunteers (and also staff who want to develop new skills) in modern curatorial practice. The idea behind this programme was developed over 18 months ago in response to the increasing lack of opportunities to learn curatorial and modern museum skills while working or volunteering in a sustained manner, and have the opportunity to test and assess competencies and in a peer learning framework.

The rural context of Citizen Curators is important. People of smaller museums in large rural regions lack the most access to training, skills, networking and peer groups.

For me it’s an opportunity to experiment with delivering education to workers while they work, and also led by the needs of their work. Colleagues will know about my growing interest and involvement in museum skills development and I am grateful for this opportunity try out something new.

Apart from access to skills and an opportunity to test them out, the Citizen Curators pilot will also focus on recruiting at least 50% under-25s.

The emphasis will be on the participants’ learning goals, rather than on fancying up a regular volunteer opportunity or disguising a dreaded unpaid internship.

That said, participants will have to demonstrate commitment and a dedication to completing the course and creating an outcome that is meaningful to the museum.

Chart showing Citizen Curators competencies

Citizen Curators competencies

It is thanks to Arts Council England support through Cornwall Museums Partnership received through through the Change Makers leadership programme that I am able to conduct this pilot.

Download the Citizen Curators Pilot summary (PDF)

Download the Citizen Curators Flier (PDF)

Curator’s Advent. Day 6. Gloves

Me as a curator wearing full length oven gloves as a precaution against contaminating museum objects

I prefer to leave nothing to chance.


Museum objects are living gods and goddesses. Lords and Ladies of the material world. Most usually donning white cotton (or purple nitrile) gloves the curator is able to undertake her calling as high priest and footman.  It’s vital museum purity laws are adhered to. Contamination of the museum object by greasy palm or sticky fingers or unappointed non-curators results in the need for complex ritual cleaning and prayers involving Pygmy goat-hair brushes and holy distilled water and liturgical implements too numerous to list here that you wouldn’t understand anyway. 

Curator’s Advent. Day 3. Moths

Butterflies on display at the Royal Cornwall Museum, Truro. Not moths but you get the idea.

Butterflies on display at the Royal Cornwall Museum, Truro. Not moths but you get the idea.

Moths and other creepy pests are The Enemy of the curator (unless they are already dead and desirable specimens, pinned and catalogued). If you see a furrowed brow and haunted look, a struggle with sticky pheromone-fueled patches, spare a thought. We are saving museums from the very real peril of textiles and taxidermy annihilation. No one wants to see a naval rating’s uniform with holes in its unmentionables.