What role has Culture (capital C) in Digital Britain? And within Culture, what do digitised collections and content mean to the nation? Perhaps more importantly for the sectors involved in cultural provision (such as museums), can digital collections take part in the Digital Economy in a meaningful way? In January 2009, the UK Government produced an interim report setting out a kind of manifesto for placing UK Plc at the forefront of the “global digital economy.”
I would like to see the relationship develop more as that between supporter/donor and custodian, rather than just producer and consumer.
In response, Collections Trust made an interim response. And here is a summary my response to the interim response. I attempted to take the long view, looking back at my own experiences with digitised collections and other content. My full reply and Nick Poole’s (CEO Collections Trust) response can be read in the list archives of jiscmail’s Museum Computer Group list.