
The curator who wants to share collections freely and openly is saddened by the imperialistic appropriation of out of copyright works by virtue of creating a new slavish copy. The curator who wants to share collections freely and openly is saddened by the government licensing scheme for orphan works. The curator who wants to share collections freely and openly is saddened by the perpetuity in copyright imposed by corporate buy-outs. The curator dies bit by bit at every opportunity lost.